Where a lesser production may choose to make Tamburlaine’s story savage, masculine, coarse, Boyd’s production shows us Godliness at its most violent.
The meeting of Patricia Highsmith and this young stranger seems to dance around the violent, skirt around disaster.Read more "Switzerland, Theatre Royal Bath 2018 – Review"
The Macbeths are gritty, sexy and steely, but one is left with the feeling that star casting fails to dazzle.Read more "Macbeth, RSC 2018 – Review"
The bloodthirsty story of the last Yorkist King is stylish and delicious, and tragic in all the guiltiest ways.Read more "Richard III, Shakespeare’s Rose Theatre 2018 – Review"
The Globe is back and kicking with Terry at its helm. It’s rather insane, but infinitely lovable: what Shakespeare does best.Read more "As You Like It & Hamlet, Globe Theatre 2018 – Review"
What Graham does beautifully is craft a play to appease a liberal theatre-going Britain whilst being quite alarmingly a-political.Read more "This House, Tour 2018 – Review"
Focusing on Webster’s fiercely defiant, witty, beautiful and magnetic Duchess, Maria Aberg’s new production is fresh, feminist, and female.Read more "The Duchess of Malfi, RSC 2018 – Review"